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 | 2009 Award Winners par / by Design Exchange | | Announced: 2009 Design Exchange Award Winners
Ce communiqué est uniquement disponible en anglais. | Announced: 2009 Design Exchange Award Winners Toronto, November 25, 2009 – The Design Exchange (DX) announces the 2009 winners of the Design Exchange Awards. This national design competition is open to professional designers across Canada working in a range of disciplines. The awards were presented at a gala dinner at the DX on November 24th, 2009. The winners are displayed in an Exhibition at the DX running from November 25, 2009 – February 21, 2010. |
| + The Design Exchange Awards promote Canadian design excellence and recognizes the critical role of design in all types of organizations – national & international. The Awards celebrate the success stories achieved through close partnerships between clients and designers. Projects are recognized for balancing function, aesthetics, and economic success. Award catagories include architecture, interiors, visual communications, environments, fashion and industrial design. A special award is also presented to the CEO with the best design strategy. The winners in each category are listed below. Our 2009 lead sponsor is Audi Canada, www.audi.ca. Other sponsors include Enville Event Design and Catering, Exclusive Affair Rentals, CCR, Fairmont Royal York, Umbra and Slava Vodka. You can contact: Cindy Grenke Director of Development Design Exchange 416. 216.2134 cindy@dx.org 2009 DESIGN EXCHANGE AWARD WINNERS ARCHITECTURE – COMMERCIAL GOLD Design Architects: Kohn Pedersen Fox Associates, Sweeny Sterling Finlayson & Co. Architects Inc. Production Architect: Bregman + Hamann Architects Advocacy and Compliance Architect for RBC/RBC Dexia: Sweeny Sterling Finlayson & Co. Architects Inc. Client: Cadillac Fairview Corporation Limited, RBC Financial Group and RBC Dexia Investor Services SILVER Project: George Brown College – Centre for Hospitality and Culinary Arts Designer: Kearns Mancini Architects Inc. with Gow Hastings Architects Inc. Client: George Brown College BRONZE Project: Centre for Urban Ecology Designer: Taylor Hazell Architects with architectsAlliance Client: Humber College Institute for Technology and Advanced Learning; City of Toronto; Toronto and Region Conservation Authority HONOURABLE MENTION Project: Island Yacht Club Designer: Montgomery Sisam Architects Client: Island Yacht Club HONOURABLE MENTION Project: Southbrook Vineyards Designer: Diamond + Schmitt Architects Client: Southbrook Vineyards ARCHITECTURE - RESIDENTIAL GOLD Project: 40R Laneway House Designer: Superkül Inc. Client: Elena & Jorge Soni SILVER Project: Shift Cottage Designer: Superkül Inc. Client: Anonymous BRONZE Project: aerieLOFT Designer: Breathe Architects Client: B. Puckering HONOURABLE MENTION Project: House 60 Designer: gh3 Client: Allison Granovsky ENGINEERING HONOURABLE MENTION Project: Versus Scoreboard - Portable, Electronic Scoreboard and MP3 Player Designer: Cortex Design Inc. Client: Versus Ltd. FASHION/APPAREL DESIGN HONOURABLE MENTION Project: R 320 Climbing Harness Designer: Arc’teryx Client: Arc’teryx INDUSTRIAL DESIGN GOLD Project: Artful Winemaker Designer: Poissant Design Associates Inc. Client: Global Vintners Inc. SILVER Project: Xyrä Playground Equipment Designer: Marc Boudreau Design Industriel Client: Jambette Évolujeux BRONZE Project: DNA Self-Collection Kit: Test Tube format Designer: DW Product Development Inc. Client: DNA Genotek Inc. HONOURABLE MENTION Project: LED Light ‘Bright Cube’ Designer: Lumolar Client: Lumolar with Arkalumen HONOURABLE MENTION Project: Planna Designer: Inscape / Inscape Design Team Client: Inscape INTERIOR DESIGN - COMMERCIAL GOLD Project: W Hotel Downtown Atlanta Designer: burdifilek Client: W Hotel / Barry Real Estate SILVER Project: Scandinave Les Bains vieux-Montreal Designer: Saucier + Perrotte Architectes Client: Gestion Rivière du Diable Inc. BRONZE Project: Sub-Zero Wolf Showroom Designer: Cecconi Simone Client: Maroline Distributing Inc. BRONZE Project: Bennett Jones Client Centre Designer: Frankland + Associates Ltd. Client: Bennett Jones LLP HONOURABLE MENTION Project: Murale Designer: burdifilek Client: Shoppers Drug Mart HONOURABLE MENTION Project: Stantec Guelph Office Designer: Stantec Architecture Ltd. Client: Stantec Consulting Ltd. INTERIOR DESIGN - RESIDENTIAL GOLD Project: Shelf Life Designer: Perkins Eastman Black Architects Client: Perkins Eastman Black Architects SILVER Project: Beach House Designer: Dubbeldam Design Architects Client: Sean Smith & Kate Halpenny BRONZE Project: Russell Hill House Designer: gh3 Client: Dale Burshtein INTERIOR DESIGN – TEMPORARY OR PORTABLE GOLD Project: Lippincott Living Designer: Cecconi Simone Client: Blurredge Group SILVER Project: Schad Gallery of Biodiversity Designer: Reich + Petch Design International Client: Royal Ontario Museum BRONZE Project: ÏCE Condominiums at York Centre Sales Office Designer: Munge Leung Design Associates Client: Lanterra Developments and Cadillac Fairview HONOURABLE MENTION Project: Installation Designer: Studio Junction Inc. Client: Studio Junction Inc. HONOURABLE MENTION Project: Blue Note Designer: PLANT Architect Inc. Client: Nightswimming LANDSCAPE ARCHITECTURE GOLD Project: Dymaxion Sleep Designers: Jane Hutton and Adrian Blackwell Client: Refford Gardens/Jardins De Métis International Garden Festival SILVER Project: Square Des Frères-Charon Designer: Affleck + de la Riva Client: City of Montréal, Direction des Grands Parcs et de la Nature en Ville BRONZE Project: West Toronto Railpath Designer: Scott Torrance Landscape Architect Inc. with Brown and Storey Architects Inc. Client: City of Toronto, Economic Development, Culture and Tourism Department HONOURABLE MENTION Project: Trinity College Quadrangle Designer: gh3 Client: Trinity College HONOURABLE MENTION Project: Victoria University Forecourt Designer: PMA Landscape Architects Ltd. Client: Victoria University in the University of Toronto HONOURABLE MENTION Project: ESRI Canada Green Roof Designer: Scott Torrance Landscape Architect Inc. Client: ESRI Canada URBAN DESIGN GOLD Project: Shops at Don Mills Designer: Rudy Adlaf for The Cadillac Fairview Corporation in collaboration with Giannone Petricone Associates Inc. Architects and pellow + associates architects inc. Client: The Cadillac Fairview Corporation Ltd. SILVER Project: Place des Festivals – Quartier des Spectacles Designer: Daoust Lestage Inc. Client: Ville de Montréal BRONZE Project: Lakeview Legacy Project Designer: John Danahy Centre for Landscape Research Client: Lakeview Ratepayers Association VISUAL COMMUNICATION – BRAND & IDENTITY GOLD Project: Bell TV Packaging Designer: lg2boutique Client: Bell Canada SILVER Project: Happy Planet Shots Packaging System Designer: Subplot Design Inc. Client: Happy Planet Foods, Inc. BRONZE Project: Vancouver Convention Centre Designer: Gottschalk+Ash and Terry Heard Design Client: BC Pavilion Corporation HONOURABLE MENTION Project: Guelph Office Entry Signage Designer: Stantec Architecture Ltd. Client: Stantec Architecture Ltd. HONOURABLE MENTION Project: Lippincott Living Designer: ninth+crux Client: Blurredge Group VISUAL COMMUNICATIONS – CONTENT DEVELOPMENT & EDITORIAL GOLD Project: Agora Borealis: Engaging in Sustainable Architecture Designer: Joel Harding / Manasc Issac Architects Client: Manasc Isaac Architects SILVER Project: Pug Awards Designer: ninth+crux Client: Pug Awards BRONZE Project: Vancouver Matters Designer: James Eidse, Mari Fujita, Joey Giaimo, Christa Min (editors); Lori Kiessling (photo editor); Robin Mitchell of hundreds & thousands (graphic design) Client: Blueimprint HONOURABLE MENTION Project: [un]Fold[in] Designer: Borxu Design / Borzu Talaie Client: atelier rzlbd HONOURABLE MENTION Project: Leaf A Legacy Designer: Signals Design Group Client: BC Cancer Foundation DESIGN EXCHANGE STAFF CHOICE Project: Phonofone II Designer: Science & Sons Client: Science & Sons CANADIAN COMPANY OR CEO WITH THE BEST DESIGN STRATEGY Gareth Brennan Principal/CEO, Founder of Eventscape Inc. For more information : www.dx.org -30- | Pour télécharger les images suivantes en haute résolution, contactez-nous pour obtenir un nom d'usager et un mot de passe. In order to download the following high resolution images, contact us to get a username and a password. contact : media@v2com.biz _-_ tel : 514.845.1188 | Architecture – Commercial GOLD Design Architects: Kohn Pedersen Fox Associates, Sweeny Sterling Finlayson & Co. Architects Inc. Production Architect: Bregman + Hamann Architects Advocacy and Compliance Architect for RBC/RBC Dexia: Sweeny Sterling Finlayson & Co. Architects Inc. Client: RBC Financial, RBC Dexia | | | | Architecture – Commercial SILVER Project: George Brown College – Centre for Hospitality and Culinary Arts Designer: Kearns Mancini Architects Inc. with Gow Hastings Architects Inc. Client: George Brown College An under-used site adjacent to the College was reclaimed to give the College new street frontage and 66,000 square feet of additional program space. A 1914 heritage building further south, was restored to house the Colleges’ new student restaurant The Chefs’ House, with classroom spaces above. Reflecting new philosophies within the culinary profession, a large, open-concept kitchen is now located at the front of The Chefs’ House Restaurant. | | A dramatic chef-centered identity is achieved by displaying the open kitchen and food preparation area in the corner and storefront windows. Passers-by are given a rare opportunity to see the culinary students at work. Heat gathered from exhaust hoods in culinary labs is recovered and circulated to reheat the building, an efficient system that creates comfortable interior conditions. The school can now accommodate enrolment increases of 15% in the Chef School, and 30% in the Centre for Hospitality and Tourism Management. | | Architecture – Commercial BRONZE Project: Centre for Urban Ecology Designer: Taylor Hazell Architects with architectsAlliance Client: Humber College Institute for Technology and Advanced Learning; City of Toronto; Toronto and Region Conservation Authority The Centre is a multi-purpose building used to provide public education to promote technology in support of the preservation of the natural world. It contains visitor services, audio visual links to other green sites, links to college programming, display areas, administrative space for outdoor education staff, accessible lunch areas for visitors, and dedicated work areas for student projects. The two-storey building is wrapped by an earth wall on three sides, the landscape falling away on the west to create a sheltered outdoor classroom for the school children. The building is a glazed box: the main space is a lookout, and the teaching occurs against the backdrop of the landscape itself, with wildlife including deer, fox and many species of birds seen from the classrooms. The Centre for Urban Ecology was one of the first buildings in Toronto to receive a Gold LEED certification. | | | | Architecture – Commercial HONOURABLE MENTION Project: Island Yacht Club Designer: Montgomery Sisam Architects Client: Island Yacht Club The Island Yacht Club was built to respond to the Club’s need for a new building, following the destruction of the original in a fire. The building consists of two north-south building blocks. The front block contains the social spaces while an area between the blocks creates a more private outdoor court for those using the pool. An extensive exterior deck was built at the same level as the interior floor to allow for a seamless transition from indoor to outside. | | The exterior enclosure is primarily glass and the low horizontal plane of the roof ensures the building sits unobtrusively on the flat landscape with minimal visual disruption to the tall cottonwood trees on the site and the water beyond. Since the Island Yacht Club’s 2006 reopening, new membership has increased by approximately 25%. In addition, the club has experienced an increase in visits by boats from other yacht clubs. | | Architecture – Commercial HONOURABLE MENTION Project: Southbrook Vineyards Designer: Diamond Schmitt Architects Client: Southbrook Vineyards The project includes a production winery and a new 8,000 square foot facility in a separate pavilion, housing retail, hospitality, and administrative areas. The new design dedicates three separate event spaces with seated capacities of 12, 80 and 200, while not interfering with retail customers. Event numbers for 2009 are up over 50% from previous years. | | Capacity, in terms of cases of wine that can be produced, has increased significantly - up 20% to 12,000 cases/year. Southbrook Winery achieves a commendable 50% reduction in energy costs compared with conventional practice through the application of “classic truth” in building engineering. Construction waste was sorted for recycling thereby reducing by 88% the materials that would have been directed to the landfill. The project has met its sustainable design target of LEED Gold; one of only two wineries in North America to receive this designation. | | Architecture – Residential GOLD Project: 40R Laneway House Designer: Superkül Inc. Client: Elena & Jorge Soni Beginning its life as a blacksmith’s shop in the 1880’s, the building remained in industrial service for over 120 years. The current owners bought the industrial shed to convert it to a single-family residence. The strategy was to selectively rebuild it to provide the amenities of ‘home’, while retaining as much of its existing character as possible. The building’s existing steel cladding was catalogued, removed, reformed and reinstalled as the primary building skin. | | Black-painted cedar and marine grade plywood, clads the remainder. Existing structural members were retained where possible. The tight laneway conditions required a rethinking of how to make a light and airy space without being able to add new windows, and with a total floor area of 800 square feet. The design innovation was to turn the focus of the house to the sky, designing the building to draw significant amounts of light and ventilation from above. | | Architecture – Residential SILVER Project: Shift Cottage Designer: Superkül Inc. Client: Anonymous Together with the Clients, the Architect chose the site for this 2,000 square foot family cottage for its long views of the Bay and for its topography, which allowed for the physical integration of the cottage with its island landscape. Spaces inside and out are ample and open, allowing for easy movement by the range of ages that use the cottage. All millwork was designed with universal access in mind. Being on an island, all construction materials and equipment were brought over by barge. | | The resulting design used lightweight building materials. The living spaces are contained in the bar closest to the shore, and the bedrooms are contained in the second bar, which stands against a line of trees. The two bars sit on a cedar deck that terraces and steps down to meet the landscape. The deck hosts outdoor living spaces, including a contained children’s play area and a private outdoor shower. | | Architecture – Residential BRONZE Project: aerieLOFT Designer: Breathe Architects Client: B. Puckering The structure serves as a 108 square foot, white cedar exterior room or ‘bunkie’, located in either cottage country, or in a city backyard. Instead of expanding and over-building in order to increase living space, the design objective was to facilitate contact with the natural environment with minimal impact. Eastern white cedar is a lightweight, plentiful, native wood to Ontario. Its oils make it resistant to rot, moisture and insects. | | The aerieLOFT can be purchased as a plan, for those who wish to manage the project from start to finish, or as a kit, with pre-assembled components for construction by either the DIY consumer or a carpenter. As a result of minimal energy requirements, solar panels can be installed to provide electricity. Rainwater can be harvested from the large roof surface area. A separate white cedar water column and composting toilet allow for a total off-the-grid installation. | | Architecture – Residential HONOURABLE MENTION Project: House 60 Designer: gh3 Client: Allison Granovsky House 60 is a renovation and addition to a 1950’s suburban house. The existing house was largely introverted with small windows, low ceilings, and a traditional floor plan. The pitched roof was removed and additions were made to both the front and rear of the house, resulting in two new facades and accomplishing the re-imaging of the house. However underwhelming, the existing house was considered a material resource to be reused. Much of the house was re-skinned. | | This, in combination with the installation of significant interior insulation, greatly reduced the energy requirements of the house. The existing pitched roof was removed and a new flat roof, insulated well beyond code requirements, completed the new high performing envelope. A 2-storey glass wall at the rear of the house, a one-storey glass wall at front, and multiple skylights, maximize the admission of daylight and facilitate passive ventilation. | | CANADIAN COMPANY OR CEO WITH THE BEST DESIGN STRATEGY Gareth Brennan Principal/CEO, Founder of Eventscape Inc. As a young entrepreneur with a vision, Gareth started a business out of his basement at the age of 23. Fifteen years later Eventscape Inc. now has over 70 employees. Gareth assembled a team of professionals with a wide range of talent to pioneer a new way of building, working with top architects and designers around the world. Eventscape’s clients are able to create signature projects that are not possible using traditional building techniques. | | Under Gareth's leadership, Eventscape has achieved global recognition, winning over 60 major industry awards, and has been featured in over 100 trade magazines. Gareth’s passion for design and innovation has guided him in evolving the Eventscape business. From his beginning in special events to current major retail, hospitality and commercial projects worldwide, designers look to Gareth and his Eventscape team to allow them to “create without boundaries.”™ | | Engineering HONOURABLE MENTION Project: Versus Scoreboard - Portable, Electronic Scoreboard and MP3 Player Designer: Cortex Design Inc. Client: Versus Ltd. The Versus Scoreboard is the first scoreboard of its kind to combine music and game play (with a home score, away score, timer and period counter), into one device targeted at the consumer market. The scoreboard combines a fully functional scoreboard and MP3 player with portability and affordability. A pocket-sized remote control allows players to operate the unit without diverting their concentration from the game. A microphone allows the operator to make announcements. | | The growth potential of the scoreboard and related accessories is assured, with customizable faceplates and sound effects, a USB port for technological expansion opportunities (such as Bluetooth devices), a flexible RF-control interface, and a new feature-rich second version in the works. Intuitive and oversized controls ensure the unit can be used by most anyone. By leveraging affiliations with the NHL, Universal Music and the NCAA, the company has been able to expand rapidly towards profitability in 2009. | | Apparel/Fashion HONOURABLE MENTION Project: R 320 Climbing Harness Designer: Arc’teryx Client: Arc’teryx The objective of the project was to create a climbing harness that was lightweight, supple, comfortable and highly packable. Unlike most harnesses, this one is based on the principle that the entire harness structure should be load bearing (not like the usual one third). The designers created Warp Strength TechnologyTM (WSTTM), allowing them to shape and contour the load-bearing structural materials into anatomical patterns and seamlessly integrate them throughout the harness. | | WSTTM allowed higher levels of comfort and support by uniformly spreading the load across the entire harness. Lightweight self-locking buckles provide a secure closure with ease and speed of one-handed adjustability. A Wear Safety Marker visually alerts the user when the harness needs to be retired. This harness offers consumers a premium climbing harness option. Cost-wise, the harness is double the price of competitor products, however within the first year, sales of the product increased by 300%. | | Industrial Design GOLD Project: Artful Winemaker Designer: Poissant Design Associates Inc. Client: Global Vintners Inc. Artful Winemaker is an all-inclusive, Personal Winemaking System, designed for making wine at home. The complete system consists of multiple hardware components (ie. Vessel, cone/seal, base) packaged with all necessary, pre-measured ingredients, including grape juice, wine clarifier and yeast. Market research determined that the wine transfer step is the most challenging part of winemaking. | | The project objective was to develop a winemaking system that allows the entire process to occur within a single vessel, thereby eliminating the need to transfer the fermented wine into a second container via siphoning. The system easily separates the wine from its undesirable sediment. While still optimizing its mechanical efficiency, the product’s form has been designed to reflect the visual personality of a contemporary, home appliance, encouraging the winemaking process itself to be brought ‘out of the basement and into the kitchen.’ In 28 days it will yield good quality wine at an affordable price of $5 a bottle. | | Industrial Design SILVER Project: Xyrä Playground Equipment Designer: Marc Boudreau Design Industriel Client: Jambette Évolujeux Xyrä is designed for children 5 to 12 years old. It offers a wide variety of equipment in a small space. Among this equipment is a climbing wall with genuine resin grips, a stand-up merry-go-round, a cable bridge, oscillating discs and a variety of climbers with different grips. The primary innovation of this project resides in the modularity and manoeuvrability of the system. Mainly made of polyester resin and aluminum, the lightweight body serves as a transition station between each component. | | The cornerstone of the system is an aluminum tube that is 5 inches in diameter and has a 60° arc. Large “macaroni” pieces are assembled end to end. The desired piece of equipment is added to each piece of “macaroni.” Each piece has the same mounting, making for simple manufacturing and repair. Powered by a solar panel, LED lights come on for play in the evening. | | Industrial Design BRONZE Project: DNA Self-Collection Kit: Test Tube format Designer: DW Product Development Inc. Client: DNA Genotek Inc. The product is a simple and non-invasive method to collect large amounts of DNA from saliva. The new product needed to be big enough for the user to easily deposit a saliva sample, while still being small enough to fit through European mail slots, (maximum thickness of 24mm) and attach to a standard 16mm plastic test tube in the laboratory. To use, the user simply deposits their saliva into the container and seals the cap. Once the film is punctured, the Oragene solution is released and flows down over the funnel, mixing with and washing the deposited saliva down into the test tube, all in a single user action. The new format greatly simplifies collection and speeds up lab processing making it more viable for mass genetic processing. The product is manufactured from a low cost commonly available plastic resin that is fully recyclable. | | | | Industrial Design HONOURABLE MENTION Project: LED Light ‘Bright Cube’ Designer: Lumolar Client: Lumolar (with Arkalumen) The ‘Bright Cube’ is an interior LED light that illuminates a space with polychromatic full spectrum solid state lighting technology. The power output is the equivalent of 200 Watts. The light replicates the exact wavelength of sunlight and has been shown to positively influence people suffering from SAD (Seasonal Affected Disorder), however the product was not developed as a treatment light. The main objective in the design was to create a powerful white LED light with the added feature of a remote control unit to allow the change of the colour, facilitating unlimited adjustment of the light colour on the Munsell chart, with full dimming capacity. The remote works on the principle of touching an internal colour circle with one’s finger communicating via infrared. The remote was designed without any moving parts for manufacturing simplicity, economy and innovation. The design is executed to be as minimalist as possible. | | | | Industrial Design HONOURABLE MENTION Project: Planna Designer: Inscape / Inscape Design Team Client: Inscape Planna is built on the concept of extending the life of existing products and refreshing their function and aesthetic. It utilizes minimal components to build a private office or workstation. GREENGUARD certified and Cradle to Cradle certified storage is taken to a new level. Planna utilizes a simple method of attaching a rail on top of storage units to allow worksurface support, as well as multiple storage top options. | | It is applicable on all 42 case heights of the manufacturer’s standard storage cabinets. No new cases or worksurfaces are required for the new product; just a re-thinking of existing products. An intersection of horizontal and vertical planes combine with off-modular floating tops to create a simple high-end aesthetic that meets the needs of today’s minimalist architectural driven interior spaces. Concepts follow the work of architects such as Frank Lloyd Wright and Tadao Ando. | | Interior Design – Commercial GOLD Project: W Hotel Downtown Atlanta Designer: burdifilek Client: W Hotel / Barry Real Estate The firm was commissioned by W Hotels to design the interiors of their first Hotel and Condominium complex in downtown Atlanta. The objective was to create a modern interpretation of a park oasis in the centre of the financial district and the capital of the ‘New South.’ Scale and proportion play off one another in the double-height ground floor space; clean lines are complimented by sumptuous textures and rich tones, accented by sculptural elements throughout. | | The unconventional materials palette is designed to inspire excitement and elicit a refined sense of discovery. Local and international artisans were commissioned to create signature art installations throughout the hotel; collaborating with the interior design firm to create unique points of memory within the space, using unconventional materials in distinctive ways. The design perfectly reflects the W Hotel brand values, positively contributing to the corporate brand positioning and providing a consistent brand image. | | Interior Design – Commercial SILVER Project: Scandinave Les Bains vieux-Montreal Designer: Saucier + Perrotte Architectes Client: Gestion Rivière du Diable Inc. The new spa is positioned at the ground level of a historic building. GRD and the architects used an experigram model to map guest experiences at every point of contact, from reception to massage room, bath to lockers. Some of the systems and technologies used include: waterless urinals that minimize water consumption, hot tubs heated 85% by energy recovered from the ventilation and dehumidifying system, locker technology with programmable bracelets that are reusable, combining ease of use with enhanced security for guests. | | Visitors are immersed in an environment where walls, floors and ceiling are slightly angled according to a notion of interior topography. Depressions in the floor level generate basins of water for bathing and volumes emerge from the ground to sculpt interior zones for the sauna and steam bath. The new spa has had an immediate impact, strengthening its brand position, as the leader in thermal therapy and relaxation in the city. | | Interior Design – Commercial BRONZE Project: Sub-Zero Wolf Showroom Designer: Cecconi Simone Client: Maroline Distributing Inc. The project is a 4,000 square foot showroom for Sub Zero and Wolf, manufacturers of high-end residential appliances. Since opening, several multi-unit residential projects have been secured, events have been ongoing and walk-in traffic is high. The products are presented in the Fire + Ice Gallery, separating them into cooking + refrigeration. Framed by ‘fire red’ and ‘ice blue’ back-painted glass, the consumer’s eye is drawn to the product as it would be in a gallery; there are no visual distractions created by conventional millwork or cabinetry. | | Beyond the gallery, functional zones replicate how products would be found in the home. An enclosed working kitchen allows guest chefs to showcase the products in action. Consumers are invited to participate in cooking or simply observe the activity. The building in which the showroom is located is certified as LEED Silver. The showroom meets and/or exceeds this certification. | | Interior Design – Commercial BRONZE Project: Bennett Jones Client Centre Designer: Frankland + Associates Ltd. Client: Bennett Jones LLP The objective of this project was to create an elegant and contemporary Client Centre incorporating state-of-the-art technology and versatility to reflect the firm’s progressive yet established identity. They wanted a consolidation of meeting areas and the ability to showcase the firm’s art collection. One existing floor was redeveloped into a 12,000 square foot Client Centre, reflecting current standards and practices. | | The Client Centre has extensive audio-visual systems in all meeting rooms. The technology is recessed into the ceilings, walls, tables, credenzas, and floor to provide seamless integration. Skyfold partitions retract into the ceiling, providing either one room to accommodate 100 people or up to four smaller rooms. Mobile table systems provide clients with a multitude of room layouts. Barrier free compliance was surpassed in the width of corridors and access to meeting rooms. Energy efficient LED light fixtures and motion sensors were implemented throughout the space. | | Interior Design – Commercial HONOURABLE MENTION Project: Murale Designer: burdifilek Client: Shoppers Drug Mart The scope of this project was to design an entirely new retail concept for the Canadian marketplace. The offering includes a range of over two hundred cosmetic, fragrance and skincare collections, a pharmacy and dermatological skincare products, as well as personalized beauty services. The design approach was to create a continuous sense of discovery that unfolds as the consumer walks through the space. An architectural framework was designed allowing for total flexibility within that framework to accommodate the individual merchandising needs of vendors and products from around the world. | | Floor and wall fixtures are all designed to be self-serve, providing the shopper with easy access to all the merchandise. Innovative lighting treatments were implemented while still adhering to strict energy consumption regulations. The absence of traditional aisles has the additional benefit of making the space easy to navigate for all, especially for those with strollers or who are in wheelchairs. | | Interior Design – Commercial HONOURABLE MENTION Project: Stantec Guelph Office Designer: Stantec Architecture Ltd. Client: Stantec Consulting Ltd. The objectives of this project were to: transform and re-purpose an industrial warehouse into a functional and comfortable work place; create a flexible, durable and sustainable working environment; and promote interaction and communication among staff. The re-purposing of a light industrial building allowed for substantial reduction in leasing rates. | | The 19,491 square foot space was designed in a series of bands that establish major spatial zones and thresholds between the public and private spheres of scientific consulting. A centralized café, library and open meeting room facilitate interaction among the often reticent scientists. Senior and junior staff are commingled throughout the space, promoting interaction and mentoring in a supportive and non-differentiated environment. Operating costs were reduced using a high efficiency and smart HVAC system, occupancy sensors and low flow fixtures. This project repositioned the client at the top of the environmental assessment/consulting field. | | Interior Design – Residential GOLD Project: Shelf Life Designer: Perkins Eastman Black Architects (Susan Black, Tina Facciponte, Costa Zografos, Cory Gray, Chris Gray, Loretta Sean, Victor Peralto) Client: Perkins Eastman Black Architects The structure of concrete columns in this 1980’s development eliminated the need for shear walls and permitted demolition to open up the 1800 square foot space. It was a chance to fill the ‘shelf’ with only the most meaningful objects. Five unique boxes were placed on the shelf. A large red box divides the master bedroom from the main living space. An aquamarine and a sea green box juxtapose each other in form and shape, their LED lighting creating bright slots at high, low and cantilevered levels and also provides storage. A purple lacquered box pivots and is easily spun around to various positions up to 270 degrees. When parked, this purple form hides a flat screen television, which can be wheeled into view at various locations in the space. A deep red box, between the kitchen and dining room, hides a structural column and provides a full height pull-out pantry. | | Interior Design – Residential SILVER Project: Beach House Designer: Dubbeldam Design Architects Client: Sean Smith & Kate Halpenny The primary design challenge was to increase the living space by creating an open plan while improving functionality of the spaces, with built-in furniture components and ample storage; through a unifying material palette; and amplifying natural light. The interior renovation successfully addressed these challenges with large open spaces subtly divided by transitional elements. Ample storage to de-clutter, increased natural light, built-in furniture, a light material palette, packaged in a clean, modern design aesthetic provide a functional and visually-restful living environment. | | Careful attention was given to the use of sustainable materials and the choice of construction, heating and cooling systems in order to minimize environmental impact. Materials were sourced locally and sustainable alternatives selected, such as engineered wood floor in North American cherry and recyclable acrylic sheets. Passive cooling and natural ventilation were maximized through the positioning of operable windows, an operable skylight, an open plan and the use of open risers. | | Interior Design – Residential BRONZE Project: Russell Hill House Designer: gh3 Client: Dale Burshstein The house, built in the 1970’s, is situated on a 200-foot deep lot in one of Toronto’s downtown ravines. The renovation reopened the ground floor so that it became an open loft-like space from front to back. By installing two fully glazed walls, it was possible to extend the sense of outdoor space through to the interior. This takes advantage of the house’s ravine setting by providing more opportunities to see and experience the natural landscape of the ravine from within the house and yet maintains privacy. Sustainable measures included an upgraded high performing exterior envelope. Large expanses of glass allow for solar gain in the winter (coatings and vegetative shading cool the house in the summer) as well as the penetration of daylight deep into the 70’ long house. Day lighting is further augmented through the central stair. | | | | Interior Design – Temporary or Portable GOLD Project: Lippincott Living Designer: Cecconi Simone Client: Blurredge Group In smaller projects of this size, it is unheard of to build a model suite because the associated cost is amortized over so few units. In this case, however, the showroom contributed to its profitability. Of the 8 units available, over 50% sold in less than four months. Representative of all eight units, the ground floor includes many thoughtful design elements to enhance living and storage. Built in cabinetry runs from the front to the back of the space, forming the dining banquet, the kitchen and the living room entertainment unit. | | In lieu of upper cabinets over the kitchen, high capacity full height pantries are located opposite the island. Integrated appliances, with European styling create a sleek, streamlined kitchen with an island. Beyond the generous millwork items that are standard, a complete furniture and accessories package offers the ultimate in turnkey convenience. | | Interior Design – Temporary or Portable SILVER Project: Schad Gallery of Biodiversity Designer: Reich + Petch Design International Client: Royal Ontario Museum The gallery had to include as many specimens as possible from the world-class collections, be fabricated of sustainable materials and have bilingual, updateable content. The gallery combines seven ecosystem experiences, 2500 specimens and models, two live displays, the Earth Rangers Studio, a broadcast-ready demonstration studio and updateable audiovisual support materials in two languages. | | The central Biodiversity Spine outlines the scientific characteristics that define biodiversity. The specimen mounts resemble scientific apparatus and clean angular plinths support the larger specimens.Sail-like internal divisions made of PLYBOO subdivide these extremely large cases and conceal a series of structural columns that run the length of the gallery. They also carry the main signage and are strong enough to support large specimens. Around the gallery perimeter, the Ecosystem Experience cases demonstrate the interconnectedness of organisms that comprise an ecosystem. During the first week of operation an estimated 20,000 visitors visited the gallery. | | Interior Design – Temporary or Portable BRONZE Project: ÏCE Condominiums at York Centre Sales Office Designer: Munge Leung Design Associates Client: Lanterra Developments and Cadillac Fairview The Designer’s goal was to create an environment that was cozy and comfortable as well as chic and sophisticated to help promote the sales and marketing of the ÏCE residential towers. Inspired by the ideologies of Scandinavian design, the Designers have created an original, pure, sculptural and timeless space that promotes sustainable and affordable living. | | Displays of iconic furniture from celebrated Scandinavian designers illustrate how the appreciation of simple shapes, patterns and textures can beautify everyday life. The design of the Sales Office is lightweight, with simple construction, and minimal material usage, to reflect the fundamental theme of Scandinavian design. To better understand and to foster a deeper appreciation for Scandinavian design and history, the Client and the creative team including the Architect, Interior Designer and Marketing Consultants, all traveled to Copenhagen and Stockholm to experience firsthand the essence of Scandinavian culture and design. | | Interior Design – Temporary or Portable HONOURABLE MENTION Project: Installation Designer: Studio Junction Inc. Client: Studio Junction Inc. This site-specific installation was created for Come Up To My Room 2009 - an alternative design show housed in Toronto’s historic Gladstone Hotel. While being an exploration of light, this installation also experimented with various design and construction processes. | | Computer modeling and CNC cutting were used for the complex curves of the structural plywood elements of the bench and dome, in conjunction with traditional hands-on model making and woodworking techniques. The designer’s took advantage of the existing 12’ ceiling height as a means of manipulating the viewer’s perception of space. The installation requires the viewer to inhabit it. The viewer needs to take the time to sit, to let their body fall into the bench and have their eyes adjust to the darkness. In this quiet place of contemplation, they can then notice the voids and the cycle of light highlighted above as they breathe in the unexpected, subtle but overwhelming, scent of cedar. | | Interior Design – Temporary or Portable HONOURABLE MENTION Project: Blue Note Designer: Plant Architect Inc. Client: Nightswimming Blue Note is a collaboration between theatre artists, musicians, and architects to create a live installation. The audience enters the gallery mid-rehearsal, and shares the space with a group of singers rehearsing challenging new pieces of music interspersed with scripted text, while moving individually or collectively around the space. | | The form and order of the performance change daily and are activated by the public, players and the architectural, emotional and narrative content of the piece. A visual narrative of colour and text fragments, moveable benches, and malleable light and acoustic devices, add a physical dimension to the performance, and can be activated by the players or the audience/visitor. The lighting creates theatrical action, rather than highlighting scripted action. Marked by white vinyl on the floor and gloss white wall paint, motion triggered lights create instantaneous spatial interruptions in the otherwise dark space, activated by audience and performers. | | LANDSCAPE ARCHITECTURE GOLD PROJECT: Dymaxion Sleep DESIGNER: Jane Hutton and Adrian Blackwell CLIENT: Refford Gardens/Jardins De Métis International Garden Festival Dymaxion Sleep was selected to be constructed as part of the 10th Edition of the International Garden Festival at the Jardins de Métis. Function. | | Dymaxion Sleep is a structure of nets suspended above a field of aromatic plants. Rather than walking through the garden, visitors are able to lie on top of it, so that the typically solitary experience of sleeping in a garden is translated into a public event. The Jardins de Métis/Reford Gardens is a significant cultural and tourist attraction in the Gaspé region of Quebec. The gardens provide a strong economic base for the area, attracting 100,000 visitors every year, and pairing with local businesses and artists to highlight connections between its horticultural history, and Gaspesian cuisine, cultural heritage, and landscape. All the plants were started in the gardens and all steel and net fabrication was done on site to minimize transportation of materials.
| | Landscape Architecture SILVER Project: Square Des Frères-Charon Designer: Affleck + de la Riva Client: City of Montréal, Direction des Grands Parcs et de la Nature en Ville Built as a response to the urban revitalisation of a disaffected industrial sector, Square des Frères-Charon is an entirely new public amenity in a space that is more than 150 years old. The square provides identity, civic pride, and generous outdoor areas for all-season public use. While modest in scale and budget, the square is an essential component of McGill Street’s larger network of historic spaces, and is a key element in Montreal’s cultural tourism branding strategy. | | The project uses a simple, refined, and minimalist architectural language to create a dialogue between circular and cylindrical forms, including a garden of wild grasses, the vestiges of the windmill and a park pavilion in the form of a belvedere-folly. Complementing these gestures, the lighting scheme proposes a chromatic garden that alludes to the changing seasons. Sustainable initiatives include the planting of local species of wild grasses and the use of durable Quebec granite. | | Landscape Architecture BRONZE Project: West Toronto Railpath Designer: Scott Torrance Landscape Architect Inc. with Brown and Storey Architects Inc. Client: City of Toronto, Economic Development, Culture and Tourism Department The West Toronto Railpath is a two kilometer greenway running from Dupont to Dundas West on the alignment of a former rail corridor that has been transformed into a new public space, adding to the city’s growing bicycle network of trails. The project team, composed of landscape architects, urban designers, architects, artist, civil engineers, electrical engineers, and arborists worked closely with steel fabrication artists and specialists in indigenous planting. | | The Railpath has created a two kilometer new frontage where new residential units can be located, working symbiotically with the parkway to open up an intercity area of former industrial lands, and by invigorating employment districts. The trail surface itself branches into smaller walkways and gardens along the route to provide resting spots. The landscape of the railpath has been designed to require a minimum of maintenance, allowing the landscape to grow naturally, water-fed by carefully designed swales, with indigenous plant species. | | Landscape Architecture HONOURABLE MENTION Project: Trinity College Quadrangle Designer: gh3 Client: Trinity College The object of this commission was to renew the existing quadrangle, to rationalize circulation and to accommodate a broad range of social activities, while recognizing the architecture of the historic Trinity College. It is a place to which students, staff and alumni have a remarkably strong connection and has become a significant part of the College’s image. | | The renewal of the Quadrangle is in the form of a modern design that is developed out of deference to Trinity’s Anglican heritage and the traditions of medieval and gothic courtyards. The patterned surface of the Quadrangle is based on the iconic early Christian symbol of the chi, superimposed over the central lawn to create an ornamented ground plane. The imprinted central lawn is the focus and the unifying element in the space. More than 80 years after Trinity College was relocated from Trinity Bellwoods Park the new Quadrangle completes the College’s architecture. | | Landscape Architecture HONOURABLE MENTION Project: Victoria University Forecourt Designer: PMA Landscape Architects Ltd. Client: Victoria University in the University of Toronto The site consists of a courtyard enclosed by Emmanuel College, Queenʼs Park Crescent and Northrop Frye Hall to the east. At Emmanuel College, an elliptical layout proved the most efficient in terms of moving people through the space, while still respecting the historic façade as a visual terminus. | | Issues of accessibility and long-term sustainability were the driving force behind the Forecourt renovation. Cost-wise, upgrading the paving from a deteriorating natural stone to a heavy-duty stamped concrete reduces the need to repair heaved stone, particularly considering that maintenance vehicles frequently access the Forecourt. Replacing the non-compliant staircase with a 5% sloped walkway provides improved circulation for students as well as being cost efficient. All seatwalls were custom designed to discourage skateboarders. The designer worked with maintenance staff to salvage existing vegetation for replanting after the hard landscape works were complete. | | Landscape Architecture HONOURABLE MENTION Project: ESRI Canada Green Roof Designer: Scott Torrance Landscape Architect Inc. Client: ESRI Canada ESRI Canada, which provides geographic information systems (GIS) solutions, initiated the idea to turn an adjacent paved terrace on its 9th floor offices at 12 Concorde Place into a green roof to provide useable green space to benefit the company and the environment. The project provides an additional 704 square metres of useable space without increasing rent. It was designed so that each office looks out to a section of the green roof, extending the interior space. It has reduced heating and cooling costs as plant layers provide additional insulation and cool the surrounding air in the summer. The roof uses LiveRoof modules, which are constructed of 100% recycled polypropylene and manufactured within a 15-mile radius of distribution. The design reuses existing pre-cast concrete pavers and strategically integrates existing roof anchors and corresponding fall line locations to avoid potential trip hazards while not affecting proper use of anchors. | | | | Urban Design GOLD Project: Shops at Don Mills Designer: Rudy Adlaf for The Cadillac Fairview Corporation in collaboration with Giannone Petricone Associates Inc. Architects and pellow + associates architects inc. Client: The Cadillac Fairview Corporation Ltd. The Shops at Don Mills (SDM) is a large-scale urban infill project replacing an outdated indoor shopping centre with a 12-acre, outdoor mixed-use commercial development. SDM is meant to be a catalyst for the renewal of the Don Mills area. Much like the original retail centre, it is the heart of Don Mills’ “garden city” neighbourhood. It offers the community an accessible, pedestrian-friendly node infused with eclectic experiences including festivals, events and spaces for leisure, hospitality and shopping. | | Streets are pedestrian-scaled and offer on-street parking and generous landscaped sidewalks shaded by canopies. There are colourful all-season plantings, pedestrian-scaled lighting standards, and useful amenities such as benches, bike-racks and directional graphics. Rolled curbs, bollards, textured paving, art and street furniture promote accessibility. Density of the design and strategic intensity of the site allow for future residential development completing the true mixed-use intent of the project. | | Urban Design SILVER Project: Place des Festivals – Quartier des Spectacles Designer: Daoust Lestage Inc. Client: Ville de Montréal Historically home to Montreal’s red light district, theatres, and museums, the project demonstrates the ability of cultural momentum to shape urban redevelopment. La Place des Festivals captures the transient nature of the festival, drawing the playfulness of nightlife into the daily experience of the city. The project has created a permanent setting for festivals and cultural events such as, Montreal’s International Jazz Festival and the Just for Laughs Festival. The new urban plateau of 12 000 square metres, capable of hosting 25000 people, functions as a formal setting for festivals, equipped with lights, wiring and cabling, and as a stage for public life throughout the remainder of the year. The project contains the largest interactive fountain in Canada, composed of 235 jets and 470 lights. In winter, signature lighting elements enhance the sculptural presence of the trees and create a reflective play of light on surfaces of snow and granite. | | | | Urban Design BRONZE Project: Lakeview Legacy Project Designer: John Danahy Centre for Landscape Research Client: Lakeview Ratepayers Association The project included a strategy to establish an unbroken 7km of public waterfront, recapture the original shoreline and add destination uses in Lakeview, Mississauga, backed by a walkable compact place of employment, education, and affordable sustainable housing. Opportunities to intensify employment and population by an additional 15,000 people were tied to the plan of improving transit and retail. The rich heritage of Canada’s first airport, military firing ranges, and Small Arms Factory, are core elements of the sense of place and symbolic strategy for Lakeview. The project vision was driven bottom up by leadership from within the community and a culture of citizen-based design thinking permeated the process. Innovative design software developed by the urban designer allowed people to explore the feasibility of various ideas and to communicate their vision to politicians at the Municipal and Provincial level to gain support for their bold vision. | | | | Visual Communications – Brand & Identity GOLD Project: Bell TV Packaging Designer: lg2boutique Client: Bell Canada The goal of this project was to redesign Bell TV packaging to better reflect the company’s new brand identity and corporate strategy. The development of the design was one of the elements that launched the new Bell brand platform. The client’s objective was to contribute to the global brand customer experience and generate activations. Activations increased in the first quarter by over 23%. The creative strategy was based on the concrete advantages Bell TV brings to consumers through its varied, entertaining service. People were chosen to illustrate a range of emotions: surprise, enthusiasm, fear, pleasure and amazement; all of which are provided by the use of Bell TV equipment combined with programming. As part of an ongoing effort to reduce Bell's environmental footprint, the packaging does not require a bag, since all the boxes are made with handles. | | | | Visual Communications – Brand & Identity SILVER Project: Happy Planet Shots Packaging System Designer: Subplot Design Inc. Client: Happy Planet Foods, Inc. Seeing that the vast majority of shots currently in the marketplace focus solely on “energy” and have a combined taste and design profile resembling a “toxic explosion,” Happy Planet identified a gap in the market for a healthy alternative. Research pointed to a clean and modern aesthetic that bridged the gap between “natural” and “contemporary.” | | The design firm translated this into a shot bottle that is tall, slender, and square-sided with a full shrink-wrap film, enabling total graphic coverage. The graphics clearly depict the benefit of each particular shot: a shield for immunity, a sun for glow, a first-aid cross for detox and a lightening bolt for energy. All are wrapped in a common silver wrap, and the design platform embraces a minimal, clean aesthetic. The use of cost-effective shrink-wrap to cover each bottle offers maximum impact at minimal cost. | | Visual Communications – Brand & Identity BRONZE Project: Vancouver Convention Centre Designer: Gottschalk+Ash and Terry Heard Design Client: BC Pavilion Corporation The new Vancouver Convention Centre on the waterfront, located beside the old Centre with its iconic “sails,” features state-of-the-art green design, a living roof and LEED Gold certification. The designer’s task was to provide way-finding and branding opportunities, connection between the two linked buildings and integration of the well-known “seawall” pathway. | | Their solution is a sign system based on a triangular extrusion as a vertical structural support that complements the triangular shapes of the architectural design. Various sign elements (digital screens, panels, tablets, etc.) are connected to the extrusion while LED light panels integrated inside the signs, display messages with a subtle glow and optimized contrast. The whole centre is equipped with digital signage that can display information about exhibition schedules, speakers, programs and even advertisements. The elegance of the signage program, and its functional and clear presentation of information, supports the status of the new Vancouver Convention Centre as a leading exhibition venue. The whole centre is equipped with digital signage that can display information about exhibition schedules, speakers, programs and even advertisements. The elegance of the signage program, and its functional and clear presentation of information, supports the status of the new Vancouver Convention Centre as a leading exhibition venue. | | Visual Communications – Brand & Identity HONOURABLE MENTION Project: Guelph Office Entry Signage Designer: Stantec Architecture Ltd. Client: Stantec Architecture Ltd. The objective of this project was to provide a cost-effective, yet design conscious graphic to brand the Stantec location in Guelph, Ontario. The office is designed with a clean, simple and sophisticated aesthetic to give a tasteful surprise from its unusual base building façade. The graphic defines the presence of the company brand in the front lobby and projects to clients and visitors that the Guelph office has a standard of design excellence. The branded signage was designed to add to the chic appeal of the lobby, rather than fighting for the visitor’s visual attention. | | The graphic is a typographic collage of the Latin root names of the species being studied at the environmental management, scientist-based office. The graphic is clean with minimalist appeal and breaks the corporate mold by reflecting an environment in line with the client’s specialized field. | | Visual Communications – Brand & Identity HONOURABLE MENTION Project: Lippincott Living Designer: ninth+crux Client: Blurredge Group | | ninth+crox were tasked with creating an identity for a new eight-townhome in-fill development. ninth+crux developed a simple folder and branded it under the identity of the development company rather than the project. In doing so, they were able to print a greater number than would be required for a single project, allowing them to be utilized for future use, thus greatly reducing the unit cost. The folder was designed with a die-cut on the front edge where a business card is seen through a cut window allowing the identity of the specific project to be displayed. With respect to waste prevention, the take-away packages for potential buyers were designed to be printed in-house, on simple 8.5” x 11” sheets, on an as-needed basis. With 50% of the units sold in the “slow” summer months and ground breaking starting earlier than scheduled, the project is a success. | | Visual Communications – Content Development & Editorial GOLD Project: Agora Borealis: Engaging in Sustainable Architecture Designer: Joel Harding / Manasc Issac Architects Client: Manasc Isaac Architects In order to reach as broad an audience as possible, the client wanted the book to read like a magazine. Colour was used to delineate chapters, and to carry the aurora theme throughout the book. One of the major goals in redesigning the book was to increase legibility, making the text easier to read and the information hierarchy easier to understand, especially for those with visual impairments. Sommet Rounded was used as the display typeface, and in consultation with the font’s designer, the body text was typeset in Marat, a typeface chosen for its exceptional clarity, even at small sizes. The redesign of the book was applauded by the client for its clarity and improved legibility, its vibrant use of colour and illustration, its cost savings (largely related to printing) and reduced environmental footprint through an intense selection process for paper and ink. | | | | Visual Communications – Content Development & Editorial SILVER Project: Pug Awards Designer: ninth+crux Client: Pug Awards The objectives of the website project were to increase the amounts raised in the fundraising phase, increase voter participation during the voting phase, and increase awareness of the closing ceremony. With a marked increase in voter participation, along with a record amount of first day voters, the site marked both heightened public participation and garnered more press coverage than ever before, helping to ensure the future success of a not-for-profit organization. In the past, the Pug Awards website had relied heavily on Flash technology. | | Although Flash allows for flexible graphic design, the limitations of efficient experience design had been a drawback, increasing the bounce-rate (number of users who exit the site without voting). Advanced PHP, MySQL and CSS techniques were used to create a more effective user experience. After receiving rave reviews from the blogger community, and having a third party audit, the final functionality of the website exceeded expectations. | | Visual Communications – Content Development & Editorial BRONZE Project: Vancouver Matters Designer: James Eidse, Mari Fujita, Joey Giaimo, Christa Min (editors); Lori Kiessling (photo editor); Robin Mitchell of hundreds & thousands (graphic design) Client: Blueimprint | | Representing Vancouver’s history and present materiality through writing, drawing and photography, Vancouver Matters offers a critical examination of the city’s faults and opportunities. The series of explorations offer a look into the city’s make up, the historical developments that have constructed it, and what has been produced as a result. Each piece allows the specificity of the material condition to inform a particular and novel engagement with the city. The book’s size playfully references the popular and ubiquitous pocket travel guides. This format, alongside the simplicity and subtlety of the graphic design, acts as a counterpoint to the often weighty positions undertaken by the book’s contributors. Vancouver Matters’ drive is to assemble new ideas and hidden opportunities through a series of intriguing visuals and texts that could form a departure for future city practices. It attempts to document what the city of Vancouver is made of and what it might yet become. | | Visual Communications – Content Development & Editorial HONOURABLE MENTION Project: [un]Fold[in] Designer: Borxu Design / Borzu Talaie Client: atelier rzlbd This promotional piece is a derivative of an architectural project that was completed in Toronto in 2009. As a statement of parallelism, this piece is in tune with the challenges that the resident has posed to the conventionalities of city dwelling. From the binding of this piece to the haphazard positioning of the pages, one can clearly understand the invaluable affectability of the printed matter. This concept dominates mass-communication over mass-production. | | For the reason that the spine of the conventional binding is absent, it allows the spectator to create juxtaposition and varied orientation layouts upon their imagination. Since this piece is presenting space(s), the customizable layout creates space(s) even in the piece itself. The sequential position of the images creates a linear narrative while the configurability of the same sequence allows for a non-linear narrative. | | Visual Communications – Content Development & Editorial HONOURABLE MENTION Project: Leaf A Legacy Designer: Signals Design Group Client: BC Cancer Foundation The design team viewed this project as an opportunity to apply their creativity to give back to a good cause. The need to build the Foundation’s donor base by attracting more donors, younger donors – even smaller donors – drove the creative direction. Visitors to the site (www.leafalegacy.com) are invited to make a donation and “leaf” a legacy on behalf of anyone whose life has been affected by cancer. The site includes a search for the names of people honoured with a donation. The tree grows with the addition of each leaf and donation. The donation process is seamless and secure: anyone who wants to make a donation is immediately directed to the BC Cancer Foundation site. The site was completed in August 2009 and after only a few weeks, almost forty new leaves had been added to the tree, representing significant contributions. | | | | Zone de téléchargement réservée aux médias_Downloads restricted to medias Pour télécharger les fichiers, contactez-nous pour obtenir un nom d'usager et un mot de passe. In order to download the files, contact us to get a username and a password. contact : media@v2com.biz _-_ tel : 514.845.1188 | Les fichers téléchargeables seront disponibles ICI lors de votre connexion. Download files will be available HERE when signed in. |
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